Duke Ellington - "Arabesque Cookie" (Arabian Dance)

It's that time of year again.

From Duke's 1960 "Nutcracker" adaptation. I don't think it's a stretch to say that this album is the most successful adaptation of classical music for the jazz world. Other contenders would be The Modern Jazz Quartet's "Blues On Bach", and various pieces recorded by Woody Herman, such as this excellent rendition of Faure's Pavane for a Dead Princess.

Contemporary jazz artists like Daniel Bennett have also successfully ventured into this realm. Here's Daniel's "Opera and American Folk" work.

Lopes Graça Piano Concerto No. I /Miguel Henriques, piano. Orq Sinf Portuguesa, Directed by Ola Rudner

Fernando Lopes-Graca (1906-1994) was a Portuguese composer and conductor. I happened to come across the CD this piece came from quite by accident-I saw it in a music store and bought it on impulse.

The piece is "genuine Iberian"-I'm not endorsing any silliness about "cultural appropriation"-but it does seem true that most works intended to be in this style, by people from outside the region, are pretty cliche'-ridden (I do like Copland's El Salon Mexico). Now, the three note Moorish motif that the first movement of this piece is built upon might itself be thought of as a cliche', but it's the only one.

The concerto features a fair amount of dissonance, but stays true to its roots in both native folk music and Romanticism. If you like this you may want to try Lopes-Graca's Second Piano Concerto, a darker work, no doubt, but equally enjoyable.